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The term virtual orchestra implies a high degree of human interaction during live performance and suggests that the method simulates both the sound and behavior of an acoustic orchestra. The behavioral characteristics include the ability to follow tempo in real time while making simultaneous adjustments to various expressive parameters ...
Composers and musicians play the virtual instrument within a digital audio workstation via MIDI to create new music. Some Spitire Audio products utilize Spitfire's own interface with select performance specifics, while others utilize the Native Instruments Kontakt system. The purchase price of Spitfire Audio products includes the right to use ...
The "Big Bang Orchestra" series was a premiere for the Vienna Symphonic Library, as it was the first time that the entire Synchron Stage Orchestra (or some ensembles and choir) was recorded playing together ("tutti"). The multi-microphone setup was also used, which presented a logistical and acoustic challenge in the crowded recording hall.
1.23 Samplers and sequencers. 1.24 Soundtrack creation software. ... (a MIDI to WAV converter-- Virtual Studio Technology instruments can be used instead of source files)
Technodelic is the fifth studio album by Yellow Magic Orchestra, released in 1981.The album is notable for its experimental approach and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist and avant-garde sound compared to their previous work.
Roland Cloud is a subscription [1]-based collection of VST instruments and 'RVR' sample libraries launched in early 2018 by Roland. [2] [3] Instrument downloads and installation are handled by Roland's Cloud Manager software.
A sampler is an electronic musical instrument that records and plays back samples (portions of sound recordings). Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron.
The Kentucky Opera’s use of the Virtual Orchestra in the 1995 production of Hansel and Gretel marks the first use of virtual orchestra technology by a major performing arts organization. Controversy has surrounded Bianchi’s work and research which has prompted international debate regarding the future of music performance and technology.