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"Double Vision" is a single by Foreigner from their second album of the same name. The song reached No. 2 on the Billboard Hot 100 chart for two weeks in 1978, behind "MacArthur Park" by Donna Summer. [3] It became a gold record. The song was also a top 10 hit in Canada. The song has been a staple of the band's setlist since its release.
The single was released in November 1977. It reached number 20 on the Billboard Hot 100 in 1978. [4] [2] It was also a hit in Canada, reaching #22.[5]Billboard described "Long, Long Way from Home" as a "sparkling rocker" with "urgent and soulful" vocals and a "hard driving hypnotic rhythm" propelled by the guitars and bass. [6]
"Head Games" is the title-cut and second single taken from the band Foreigner's third release. It was written by Lou Gramm and Mick Jones, and released primarily in the U.S. in November 1979 while at the same time, "Love On The Telephone" was being released elsewhere.
"Feels Like the First Time" is also a top-rated music video by the band. 2. I WANT TO KNOW WHAT LOVE IS (1984) "I Want to Know What Love Is" is the No. 1 song by the band as counted in number of ...
"Dirty White Boy" is a song recorded by British-American rock band Foreigner, written by Lou Gramm and Mick Jones, and produced by Roy Thomas Baker, Jones, and Ian McDonald. It was the first single taken from the band's third studio album, Head Games (1979).
"Blue Morning, Blue Day" is a song written by Lou Gramm and Mick Jones that was first released as the third single on Foreigner's second album, Double Vision, reaching #15 on the Hot 100, the band's sixth top 40 single in two years, and #45 in the U.K. [2] [3] The song was backed with the Mick Jones song "I Have Waited So Long".
The Cure’s penchant for squalling psych-rock exorcisms reached a powerful zenith on this howl from the heart of 1992’s Wish. Almost eight minutes of typhoon rock bereft of flab or indulgence ...
Music critic Maury Dean stated that "Lou Gramm's craggy tenor spins around the note, rocking dynamite rhythms in note-bending ecstasy." [12] Hilburn described '"Hot Blooded" as touching on "the snarl of Bad Company, the wryness of Rod Stewart and the sensualness of the Rolling Stones" but complained the song lacked authenticity. [4]