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Alice Claypoole Vanderbilt in her Electric Light dress on March 26, 1883. The Electric Light dress was a masquerade gown made of gold and silver thread that was designed by Charles Frederick Worth for Alice Claypoole Vanderbilt. It was made for a masquerade ball that was held in New York City on March 26, 1883.
These parties helped to build relationships and connection with others. As etiquette dictated different standards of attire for different events, afternoon dress, evening dress, evening full dress, ball dress, and different types of dresses were popular. Hortense de Beauharnais. Women's fashion in the Regency era started to change drastically.
Online exhibition of gowns by Worth from 1860 to 1952-3 at the Museum of the City of New York. Worth dress, ca. 1905, in the Staten Island Historical Society Online Collections Database; A history of feminine fashion. Internet Archive. 1926. - Mid-1920s advertising booklet promoting Worth's role in 19th and early 20th century fashion.
The beads add extensive weight having some dresses weigh in at about 75 lbs. [5] Another coming of age event is the quinceañera, an event in Latin American cultures when a girl turns 15. Their gowns are often very brightly colored and resemble traditional ball gowns with very full ruffled or ruched skirts. [5]
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Charles Frederick Worth's dresses were known for their lavish fabrics and trimmings and for incorporating elements from period dress. He created unique pieces for his most important customers, but also prepared a variety of designs, showcased by live models, that could then be tailored to the client's requirements in his workshop. [ 6 ]
Other versions of the gown simply had a seam along the back of the bodice. [3] This gown featured a snug bodice with a full skirt worn without panniers, usually cut a bit longer in the back to form a small train. The skirt of a robe à l'anglaise could be closed in front (a "round gown") or open to reveal a matching or contrasting petticoat.
Fashion plate shows the frothy trained afternoon dress descended from the tea gown, worn with an oversized hat and gloves, 1904. Elizabeth Wharton Drexel wears an off-the-shoulder orange gown with long gloves, 1905. Mrs. John Philip Sousa wears a checked suit with elbow-length sleeves and long gloves, and carries a muff purse, c. 1905.
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