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Japanese glass wind bells known as fūrin (風鈴) have been produced since the Edo period, [4] and those at Mizusawa Station are one of the 100 Soundscapes of Japan. Wind chimes are thought to be good luck in parts of Asia and are used in Feng Shui. Wind chimes started to become modernized around 1100 C.E. after the Chinese began to cast bells.
The origins of fūrin are believed to be from the Chinese Tang Dynasty when metal wind chimes were hung in bamboo forests and used to tell fortunes. [1] [3] The word fūrin was first used in Japan during the Heian period when they were hung from eaves, particularly at Buddhist temples, as talismans to ward off evil spirits. [1]
Ancient Chinese glass refers to all types of glass manufactured in China prior to the Qing dynasty (1644–1911). In Chinese history, glass played a peripheral role in arts and crafts, when compared to ceramics and metal work. [1] The limited archaeological distribution and use of glass objects are evidence of the rarity of the material.
The British Museum Book of Chinese Art, 2007 (2nd edn), British Museum Press, ISBN 9780714124469; So, Jenny F., (2000), Music in the Age of Confucius, Washington, Smithsonian, ISBN 0-295-97953-4; Kwan, Simon, Early Chinese Glass. von Falkenhausen, Lothar. (1993). Suspended Music: Chime Bells in the Culture of Bronze Age China.
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn (). [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups.
Zeng-hou-yi Bells. The Bianzhong of Marquis Yi of Zeng (simplified Chinese: 曾侯乙编钟; traditional Chinese: 曾侯乙編鐘; pinyin: Zēnghóuyǐ Biānzhōng), or Zenghouyi Bells, is the name given to an ancient musical instrument made of bells (called bianzhong) unearthed in 1978 in the Tomb of Marquis Yi of Zeng in Leigudun Community (擂鼓墩社区), Nanjiao Subdistrict (南郊街道 ...
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Early Chinese wind spirits were many. The Shang had the masters of the four directions, [9] an eastern tradition had the naturalistic "Great Wind" (大風), another tradition considered the winnowing basket constellation (箕星, [10] comprising four stars in Sagittarius) as the controller of the winds, the south had Feilian, and theorists have speculated that a number of named mythical birds ...
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