Search results
Results from the WOW.Com Content Network
Mapping a two-dimensional texture onto a 3D model 1: 3D model without textures 2: Same model with textures. Texture mapping [1] [2] [3] is a method for mapping a texture on a computer-generated graphic. "Texture" in this context can be high frequency detail, surface texture, or color.
During the texture mapping process for any arbitrary 3D surface, a texture lookup takes place to find out where on the texture each pixel center falls. For texture-mapped polygonal surfaces composed of triangles typical of most surfaces in 3D games and movies, every pixel (or subordinate pixel sample) of that surface will be associated with some triangle(s) and a set of barycentric coordinates ...
Steve McQueen is the second studio album by English pop band Prefab Sprout, released in June 1985 by Kitchenware Records.The album was released by Epic Records in the United States as Two Wheels Good in anticipation of legal conflict with the estate of American actor Steve McQueen.
If all the parts have much the same rhythm, the homophonic texture can also be described as homorhythmic. Characteristic texture of the Classical period and continued to predominate in Romantic music while in the 20th century, "popular music is nearly all homophonic," and, "much of jazz is also" though, "the simultaneous improvisations of some ...
Three new Prefab Sprout songs were released as B-sides for the "Cars and Girls" single, all recorded quickly in a Newcastle studio with minimal production. [12] Two of the songs, "Vendetta" and "Nero the Zero", date to the band's early years. They are known to have been played live as early as 1980. [13] [14]
Let's Change the World with Music is the ninth studio album by the English pop group Prefab Sprout.It was released on 7 September 2009 by Kitchenware Records.It was the band's first album of new material since 2001's The Gunman and Other Stories (excluding 2003's I Trawl the Megahertz, which at the time was considered to be a solo album by group leader Paddy McAloon) and marked a return to ...
[7] [8] According to McAloon, most around the band considered the song too long and not catchy enough for single release. [9] McAloon wrote the B-side "Walk On" when he was 18. [8] McAloon describes the song as about "the consolation of pop music when you’re young, doing exams, listening to pop music, and ending up in your own little world". [10]
He contributed several synth textures to the song, including rolling arpeggiating synth in the choruses and soft pads mirroring Wendy Smith’s backing vocals. [5] Dolby worked closely with Martin McAloon on the song's bass part. He had McAloon sing cut-up lyrics from other songs to remember the bass rhythms he had played in rehearsal.