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Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
Posters of the Polish Poster School significantly influenced the international development of graphic design in poster art. Influenced by the vibrant colors of folk art, they combine printed slogans, often hand-lettered, with popular symbols, to create a concise metaphor. As a hybrid of words and images, these posters created a certain ...
Another "grunge graphic designer" was Elliott Earls, who used "distorted ... older typefaces" and "aggressively illegible" type which adopted the "unkempt expressiveness" of the "grunge [music] aesthetic"; this radical, anti-establishment approach in graphic design was influenced by the 1910s-era avant-garde Dada movement. [139]
Armin Hofmann, Poster for Kunsthalle Basel, 1959. Swiss style (also Swiss school or Swiss design) is a trend in graphic design, formed in the 1950s–1960s under the influence of such phenomena as the International Typographic Style, Russian Constructivism, the tradition of the Bauhaus school, the International Style, and classical modernism.
Historic poster artists. The Beggarstaffs, active 1893–1899; Róbert Berény (1887–1954) Gino Boccasile (1901–1952) Sándor Bortnyik (1893–1976)
Images and figures are also sometimes cut and pasted from magazines and newspapers to create collages, album covers and paste-ups for posters that were often reproduced using copy machines. [3] Punk visual art often conveys a rejection of traditionalist values with self-derision that can be compared to Dada. [5]
The name affichiste first appeared around 1780, but with a different meaning. It meant one involved in a poster's production and distribution, not its design: in particular, for producing handbills, setting up type and coordinating flyposting on walls, giving news on local and national events on a range of subjects. [1]
Ludwig Hohlwein (26 July 1874 in Wiesbaden – 15 September 1949 in Berchtesgaden) was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich before he switched to poster design. [1]
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