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The painting shows the windmill "Het Land van Beloften" (also known as "De Eendracht", "De Binnen Tuchthuismolen" and "De Roosboom"). The mill was built in the late C17th and was demolished in 1876 and moved to Leusden, Utrecht.
Art historian Seymour Slive reports that both from an aeronautical engineering and a hydrological viewpoint the finest levels of details are correct, in the windmill's sails and the river's waves respectively. [2] It is not known for certain when Ruisdael painted the Windmill. The painting is not dated, as very few of his works are after 1653. [3]
This is an accepted version of this page This is the latest accepted revision, reviewed on 7 January 2025. Book containing line art, to which the user is intended to add color For other uses, see Coloring Book (disambiguation). Filled-in child's coloring book, Garfield Goose (1953) A coloring book is a type of book containing line art to which people are intended to add color using crayons ...
The windmills at Kinderdijk in the village of Kinderdijk, Netherlands is a UNESCO World Heritage Site. A windmill is a structure that converts wind power into rotational energy using vanes called sails or blades, by tradition specifically to mill grain (), but in some parts of the English-speaking world, the term has also been extended to encompass windpumps, wind turbines, and other applications.
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The Kinderdijk windmills are a group of 19 monumental windmills in the Alblasserwaard polder, in the province of South Holland, Netherlands. Most of the mills are part of the village of Kinderdijk in the municipality of Molenlanden , and one mill, De Blokker , is part of the municipality of Alblasserdam .
Windmill at Zaandam or Windmill and Boat at Zaandam is an 1871 oil painting by Claude Monet.Since 1986 it has been in the Ny Carlsberg Glyptotek. [1]Claude Monet and his family fled to London to avoid the Franco-Prussian War.
The Mill is a painting by Dutch baroque artist Rembrandt Harmenszoon van Rijn.It is in the permanent collection of the National Gallery of Art in Washington DC. [1] For a long time, the attribution to Rembrandt was regarded as doubtful; it has been restored in recent years, although it is not universally accepted. [2]