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The analysis uses ordinal rankings of individual choice to represent behavioral patterns. Cardinal measures of individual utility and, a fortiori, interpersonal comparisons of utility are avoided on grounds that such measures are unnecessary to represent behavior and depend on mutually incompatible value judgments (p. 9).
The choice is whether to remain oblivious to the outside world or to become involved. More specifically, the ethical realm starts with a conscious effort to choose one's life. Either way it is possible to go too far in one direction and lose sight of the self. Only faith can rescue the individual from these two opposing realms.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Inscape has been rendered variously as: external design, aesthetic conception, intrinsic beauty, the intrinsic form of a thing, a form perceived in nature, the individual self, the expression of the inner core of individuality, the peculiar inner nature of things and persons, expressed in form and gesture, and an essence or identity embodied in ...
A choice is the range of different things from which a being can choose. [1] The arrival at a choice may incorporate motivators and models.. Freedom of choice is generally cherished, whereas a severely limited or artificially restricted choice can lead to discomfort with choosing, and possibly an unsatisfactory outcome.
"Tradition and the Individual Talent" (1919) is an essay written by poet and literary critic T. S. Eliot. The essay was first published in The Egoist (1919) and later in Eliot's first book of criticism, The Sacred Wood (1920). [1] The essay is also available in Eliot's "Selected Prose" and "Selected Essays".
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The title of the essay comes from Woolf's conception that "a woman must have money and a room of her own if she is to write fiction". [2] The narrator of the work is referred to early on: "Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance)". [8]