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A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
The myth symbolizes the changing of the seasons: when Proserpina is with Pluto, nature dies and winter begins; when she resides with Ceres, the earth is spring. [ 9 ] Bernini's statue depicts the climactic moment of the story, when Pluto grabs Proserpina, who struggles against him as he carries her over the border of the underworld, symbolized ...
Proserpina (/ p r oʊ ˈ s ɜːr p ɪ n ə / proh-SUR-pih-nə; [1] Latin: [proːˈsɛrpɪna]) or Proserpine (/ ˈ p r ɒ s ər p aɪ n / PROSS-ər-pyne [1]) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone.
In a contradicting book called "Persephone Rises, 1860-1927" by Margot Kathleen Louis, she presents that not everyone thought the same as Morley did about Swinburne and the poem. "In the 1870s, Swinburne and Dante Gabriel Rossetti had a close friendship. The painting of a picture of Proserpine with a pomegranate in her hand done by Rossetti may ...
The poem is addressed to the goddess Proserpina, the Roman equivalent of Persephone, but laments the rise of Christianity for displacing the pagan goddess and her pantheon. [1] The epigraph at the beginning of the poem is the phrase Vicisti, Galilaee, Latin for "You have conquered, O Galilean", the supposed dying words of the Emperor Julian. [2]
One particularly distinctive epithet she bore was Demeter Melaina (Ancient Greek: Δημητηρ Μελαινα), meaning “Black Demeter” and referring to an Arcadian version of her mythology. The ancient Greek travel writer Pausanias records a myth where, whilst searching for her lost daughter Kore, Demeter was pursued by the god Poseidon .