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The psychology of music, ... and the public regarding the relationship between classical music ... possibly reflecting an increase in alertness and attention ...
The cognitive neuroscience of music represents a significant branch of music psychology, and is distinguished from related fields such as cognitive musicology in its reliance on direct observations of the brain and use of brain imaging techniques like functional magnetic resonance imaging (fMRI) and positron emission tomography (PET).
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
Within cognitive psychology, among the most prominent researchers is Diana Deutsch, who has engaged in a wide variety of work ranging from studies of absolute pitch and musical illusions to the formulation of musical knowledge representations to relationships between music and language.
There's no denying the relationship between music and emotions. Certain songs just seem to strike a chord in your heart (pun intended). Some make you melancholy while others can make you feel ...
However, the investigation into this relationship between the influence of personality on music preference remains ongoing despite these genre-based limitations in methodology and past discrepancies in research results. Various questionnaires have been created to both measure the big five personality traits and musical preferences.
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics of the listener may determine which emotions are felt.
In July, 2009, Victoria Williamson reviewed the book for Psychology of Music (Volume 37, Number 3). Williamson wrote "Music, Thought, and Feeling definitely fills a gap in the current literature. It is an excellent and, I am sure, extremely welcome resource for anyone who is planning a course on music cognition, either at undergraduate or ...