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The knowledge argument (also known as Mary's Room, Mary the Colour Scientist, or Mary the super-scientist) is a philosophical thought experiment proposed by Frank Jackson in his article "Epiphenomenal Qualia" (1982) and extended in "What Mary Didn't Know" (1986).
Mary Whyte (born 1953 in Cleveland, Ohio) is an American watercolor artist, a traditionalist preferring a representational style, [1] and the author of seven published books, who has earned awards for her large-scale watercolors.
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
White was born in 1926 in Croesyceiliog, Wales. From 1949 to 1950 she studied at Goldsmiths' College and in 1951 she married the painter Charles White (d.1997). She was made a fellow of the Society of Scribes & Illuminators (SSI) in 1962 [2] and later the Letter Exchange. [3] During the early 1970s White taught at Atlantic College, Glamorgan. [4]
The drawing is related to the painting W27 : Study of the legs of a seated woman: c. 1628: Chalk: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van ...
Mary Lee Abbott (July 27, 1921 – August 23, 2019) [1] was an American artist, known as a member of the New York School of abstract expressionists in the late 1940s and 1950s. [2] Her abstract and figurative work were also influenced by her time spent in Saint Croix and Haiti , where she lived off and on throughout the 1950s.
Mary Daisy Arnold (c. 1873 – August 13, 1955) [2] [1] was a botanical artist who worked for the United States Department of Agriculture (USDA) for over thirty-five years, painting watercolors of a wide variety of fruits.