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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The theme of the work is a meditation on the nature of ideal love. Shelley advocates free love, criticising conventional marriage, which he described as "the weariest and the longest journey". Epipsychidion opens with an invocation to Emilia as a spiritual sister of the speaker. He addresses her as a "captive bird" for whose nest his poem will ...
In the 2010 movie Scott Pilgrim vs. the World, Stephen Stills says: "A gig is a gig is a gig is a gig." Philip Jose Farmer had his character Omar Runic say "That a rose is a rose is a" in an extemporaneous poem he recites in the 1967 novella Riders of the Purple Wage.
Amoretti breaks with conventional love poetry in a number of ways. In most sonnet sequences in the Petrarchan tradition, the speaker yearns for a lover who is sexually unavailable. Not only is there a conflict between spiritual and physical love, but the love object is often already married; it is an adulterous love.
Ouâbi; or, The Virtues of Nature: An Indian Tale in Four Cantos is a narrative poem by Sarah Wentworth Morton that tells the tale of a love triangle between two American Indians and one white man. The narrative is one of the first works to use Native American or "Indian" themes in American verse.
Poem Film(s) The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace (1488), Blind Harry: Braveheart (1995) Aeneid (29–19 BC), Publius Vergilius Maro: The Avenger (1962) "Annabel Lee" (1850), Edgar Allan Poe: The Avenging Conscience (1914) Argonautica (3rd century BC), Apollonius Rhodius: Hercules (Italian: Le ...
The first stanza of the poem introduces a young girl, the narrator of the poem, who describes her life through childhood imagery of playfulness and innocence. It recounts how she married her husband when they were both very young and innocent. She was shy and seemed unhappy as she didn't respond when spoken to and kept her head bowed.
The poem was published in the October 1796 Monthly Magazine, [22] under the title Reflections on Entering into Active Life. A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp.