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The Introduction of the Cult of Cybele at Rome is a painting in glue tempera on canvas by Andrea Mantegna.Measuring 73.5 cm by 268 cm, It was produced in 1505–1506 and is now in the National Gallery in London. [1]
The office as introduced when the cult of Cybele was officially introduced in Rome in 204 BC. The Priestess of Cybele served alongside a male priest of Cybele as the two leaders of the cult; together, they supervised the galli , the assistants, who performed other tasks around the liturgy, such as providing the holy music.
Cybele enthroned, with lion, cornucopia, and mural crown.Roman marble, c. 50 AD.Getty Museum. Cybele (/ ˈ s ɪ b əl iː / SIB-ə-lee; [1] Phrygian: Matar Kubileya, Kubeleya "Kubeleya Mother", perhaps "Mountain Mother"; [2] Lydian: Kuvava; Greek: Κυβέλη Kybélē, Κυβήβη Kybēbē, Κύβελις Kybelis) is an Anatolian mother goddess; she may have a possible forerunner in the ...
The Almone was deeply connected to the arrival of the cult of Cybele to the city of Rome, and played a central role in the city's observance of its rituals. (Andrea Mantegna, Introduction of the Cult of Cybele to Rome, 1505–1506.)
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
A number of temples to Cybele in Rome have been identified. Originally an Anatolian mother goddess, the cult of Cybele was formally brought to Rome during the Second Punic War (218 to 201 BCE) after a consultation with the Sibylline Books.
Allan John Witney Braham (19 August 1937 – 3 March 2011) was an English art historian, architectural historian, author and art gallery curator. [1] He was Deputy Director at the National Gallery , London.
The best-known and most vivid description, though of the quite different taurobolium as it was revived in aristocratic pagan circles, is the notorious one that has coloured early scholarship, which was provided in an anti-pagan poem by the late 4th-century Christian Prudentius in Peristephanon: [9] the priest of the Great Mother, clad in a silk toga worn in the Gabinian cincture, with golden ...