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The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
Music is heard by people daily in many parts of the world, and affects people in various ways from emotional regulation to cognitive development, along with providing a means for self-expression. Music training has been shown to help improve intellectual development and ability, though minimal connection has been found as to how it affects ...
The song was written by Jim Adkins and features backing vocals by Liz Phair. "Work" was released to radio on December 7, 2004. [1] "Work" received positive reviews from critics, and it appeared on the Billboard Alternative Songs chart and the UK Singles Chart. A music video was released for the song; it featured interviews with high school ...
"Work Song" is a gospel-blues song listed as the ninth track on the album, written by Hozier. [4] Hozier cites the song as one of his favorites from the record. [5] " Work Song" has "nuances of soul" with a "strong melodic bass", composed of percussion, tambourines, guitar, and "murmurous" vocals, while the lyrics describe a love of "undying sweetness" and devotion.
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A prominent synth, bass and drum-heavy production drop formula then occurs at the song's refrain, in which Azalea repeats the hook, "I been work work work work, workin' on my shit". [ 18 ] [ 24 ] [ 25 ] [ 26 ] The production drop casts Azalea's rapping against a combination of a Roland TR-808 -heavy, minimal trap beat and EDM clapping effects ...
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