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Shure 55S. The Shure 55SH is a professional cardioid dynamic microphone that has been commonly used in broadcast applications since 1939. Designed by American audio products company Shure, it has been described as "iconic" in pamphlets and reviews, [1] after the Elvis stamp issued by the U.S. Postal Service in 1993. [2]
The Shure Beta 58A microphone. The Shure Beta 58A is a rugged dynamic supercardioid microphone developed by Shure Incorporated specifically for live vocal performances. [1] The microphone won a TEC Award in 1996 for outstanding microphone technology. [2] Shure's Beta series of microphones was introduced in 1989.
The large size and weight of the RE20 requires a strong microphone stand or boom arm, and a very sturdy microphone clip or robust hanging yoke. The supplied mic clip (model number 320) is tightened securely with a knurled knob. An optional shock-mount is available for the RE20 family of microphones: the EV model 309A.
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated, it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
Engineer-producer Bruce Swedien used several microphones including the SM7 to record Michael Jackson's vocals for Thriller in 1982. The SM7 was the only vocal microphone on "P.Y.T. (Pretty Young Thing)", and was probably used for "Billie Jean", according to Swedien's session notes. [10] Swedien owned six SM7s, and was a big fan of its sound.
The 77-DX has been used on countless vocal recordings by Bing Crosby, Kate Smith, Frank Sinatra, Elvis Presley, Johnny Cash, Al Green, and many others. It is still sought after today for use in recording brass instruments. Audio engineers experienced with the 77-DX can position the microphone at different angles to modify its frequency response.
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