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The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
Harold's death marks the end of the Anglo-Saxon era in England and births the beginning of the French Norman rule. [12] Harold appears to be plucking an arrow from his eye in the scene. According to many historians, The Bayeux Tapestry is considered one of the earliest and most convincing pieces of evidence that Harold was killed by an arrow. [3]
The Golden Age of Anglo-Saxon Art, 966–1066, 1984, British Museum Publications Ltd, ISBN 0-7141-0532-5; Levey, S. M. and D. King, The Victoria and Albert Museum's Textile Collection Vol. 3: Embroidery in Britain from 1200 to 1750, Victoria and Albert Museum, 1993, ISBN 1-85177-126-3
The textile arts of embroidery and "tapestry", Opus anglicanum, were apparently those for which Anglo-Saxon England was famous throughout Europe by the end of the period, but there are only a handful of survivals, probably partly because of the Anglo-Saxon love of using threads in precious metal, making the work valuable for scrap.
Both men's and women's clothing was trimmed with bands of decoration, variously embroidery, tablet-woven bands, or colourful borders woven into the fabric in the loom. [6]: 309–315 [7] The famous Anglo-Saxon opus anglicanum needlework was sought-after as far away as Rome. Anglo-Saxons wore decorated belts.
The purported vestments of Sts. Harlindis and Relindis, now in Maaseik, Belgium are the earliest surviving examples of Anglo-Saxon embroidery. Traditionally attributed as the work of Sts. Harlindis and Relindis themselves, the works are not that old and are of Anglo-Saxon English origin, dated to the second half of the ninth century.
The coffin also contained the Stonyhurst or Saint Cuthbert Gospel (now British Library) and the best surviving examples of Anglo-Saxon embroidery or opus Anglicanum, a stole and maniple which were probably added in the 930s, and given by King Athelstan. [12]
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