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Virtually every contemporary theatre artist and group of international note is here identified as a practitioner of the postdramatic." [ 22 ] Fuchs goes on to point out that Lehmann attempts to show the range of the postdramatic "by showing that it can contain all moods and modes, hieratic and profane, hermetic and popular, abstract and ...
Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century.
While fact-based drama has been traced back to ancient Greece and Phrynichus' production of The Capture of Miletus in 492 BC, [2] contemporary documentary theatre is rooted in theatrical practices developed in Eastern Europe during the 1920s and 1930s.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Satirical plays provide a comic perspective on contemporary events while also making political or social commentary, often highlighting issues such as corruption. Examples of satirical plays are Nikolai Gogol's The Government Inspector and Aristophanes' Lysistrata. Satire plays are a distinct and popular form of comedy, often considered a ...
Robin Bittman in Corner Theatre ETC's 1981 production of Tom Eyen's The White Whore and the Bit Player, directed by Brad Mays.. Experimental theatre (also known as avant-garde theatre), inspired largely by Wagner's concept of Gesamtkunstwerk, [1] began in Western theatre in the late 19th century with Alfred Jarry and his Ubu plays as a rejection of both the age in particular and, in general ...
Immersive theater differentiates itself from traditional theater by removing the stage and immersing audiences within the performance itself. Often, this is accomplished by using a specific location (site-specific), allowing audiences to converse with the actors and interact with their surroundings (interactive), thereby breaking the fourth wall.
Expressionism in theatre and drama has also experienced success in China and Spain. Notably, The Wilderness (play) by Cao Yu and Yama Zhao by Hong Shen were frequently produced in the 1920s and 1930s in China. Expressionism in Chinese theatre has recently experienced a resurgence in popularity since the 1980s. [7]