Search results
Results from the WOW.Com Content Network
Chaucer may have read the Decameron during his first diplomatic mission to Italy in 1372. [citation needed] Chaucer used a wide variety of sources, but some, in particular, were used frequently over several tales, among them the Bible, Classical poetry by Ovid, and the works of contemporary Italian writers Petrarch and Dante. Chaucer was the ...
Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
The Canterbury Tales is a collection of stories, mostly in verse, written by Geoffrey Chaucer chiefly from 1387 to 1400. They are held together in a frame story of a pilgrimage on which each member of the group is to tell two tales on the way to Canterbury, and two on the way back.
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
John Wycliffe (/ ˈ w ɪ k l ɪ f /; also spelled Wyclif, Wickliffe, and other variants; [a] c. 1328 – 31 December 1384) [2] was an English scholastic philosopher, Christian reformer, Catholic priest, and a theology professor at the University of Oxford.
The evangelical “purity movement” of the 1990s and early 2000s was its own unique cultural moment. In 1994, thousands of teens gathered in Washington, D.C. to announce their commitment to wait ...
Geoffrey Chaucer wrote the "Prologue of the Wife of Bath's Tale" during the fourteenth century, at a time when the social structure was rapidly evolving, [1] during the reign of Richard II; it was not until the late 1380s to mid-1390s, when Richard's subjects started to take notice of the way in which he was leaning toward bad counsel, causing ...
Chaucer attributes the story to a "Lollius" (whom he also mentions in The House of Fame), although no writer with this name is known. [1] Chaucer's version can be said to reflect a less cynical and less misogynistic world-view than Boccaccio's, casting Criseyde as fearful and sincere rather than simply fickle and having been led astray by the ...