Search results
Results from the WOW.Com Content Network
Stanley Tucci recently shared a cozy, one-pan recipe perfect for the chilly autumn months: pasta e ceci. Adapted from chef Julius Roberts, this hearty, nutrient-packed dish brings together pasta ...
Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain (considered Mexican by many authors) [2] writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
María Manuela Dominga de Espejo y Aldaz, also known as Manuela de la Santa Cruz y Espejo (b. 20 December 1753 – d. 1829) was an Ecuadorian journalist, nurse, [1] feminist, and revolutionary. She was the sister of Eugenio Espejo , with whom she discussed and shared Enlightenment and revolutionary, pro-revolutionary thought and ideas.
Argentina, [C] officially the Argentine Republic, [A] [D] is a country in the southern half of South America.Argentina covers an area of 2,780,400 km 2 (1,073,500 sq mi), [B] making it the second-largest country in South America after Brazil, the fourth-largest country in the Americas, and the eighth-largest country in the world.
Cruz de la Parra; Baracoa. La Cruz de la Parra (English: The Cross of the Vinewood), or The Sacred Cross of Parra, as it is referred to in English, is a wooden cross which was erected by Christopher Columbus in Cuba after he had landed there during his First Voyage in 1492. It is considered the oldest artifact connected with Columbus to be ...
"Antes muerta que sencilla" (English: "I'd rather be dead than plain") is a song composed and written by Spanish singer María Isabel in 2004, when she was nine years old. It represented Spain in the Junior Eurovision Song Contest 2004 held in Lillehammer , winning the competition with a then record total of 171 points.
La múcura está en el suelo, mamá, no puedo con ella. Me la arrebató una estrella.. It was composed by Cresencio Salcedo a flute player who also composed Mi cafetal, [2] and has received many recorded versions. In 1948 by Los Trovadores de Barú for Fuentes, then in 1950 entering Mexican cinema in versions by Ninón Sevilla and Pérez Prado.