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A Light in the Attic is a book of poems by American poet, writer, and musician Shel Silverstein. The book consists of 135 poems accompanied by illustrations also created by Silverstein. [ 1 ] It was first published by Harper & Row Junior Books in 1981 and was a bestseller for months after its publication, [ 2 ] but it has also been the subject ...
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
The poem serves as an allegory about a king "in the olden time long ago" who is afraid of evil forces that threaten him and his palace, foreshadowing impending doom. As part of "The Fall of the House of Usher", Poe said, "I mean to imply a mind haunted by phantoms — a disordered brain" [1] referring to Roderick Usher.
The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward FitzGerald, who adopted the style from Hakim Omar Khayyam, the 12th-century Persian poet and mathematician. Each verse (save the last) follows an AABA rhyming scheme , with the following verse's A line rhyming with that verse's B line, which is a chain rhyme ...
"Harder, Better, Faster, Stronger" is a song by French duo Daft Punk, released on 13 October 2001 as the fourth single from their second studio album Discovery. A live version of "Harder, Better, Faster, Stronger" was released as a single from the album Alive 2007 on 15 October 2007.
The poem is recursive, ending where it begins, with the stanza "I can't go out no more. There's a man by the door in a raincoat" The poem also has ties to the Dark Tower epic. When King originally began writing The Stand, he wrote "A dark man with no face." This became the description for Randall Flagg and is an exact line from the poem.
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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...