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For example, J. D. Salinger's Nine Stories (1953) experimented with point of view and voice, while Flannery O'Connor's well-known story, "A Good Man is Hard to Find" (1955), reinvigorated the Southern Gothic style. Cultural and social identity played a considerable role in much of the short fiction of the 1960s.
Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
Creative nonfiction: factual narrative presented in the form of a story so as to entertain the reader. Personal narrative: a prose relating personal experience and opinion to a factual narrative. Essay: a short literary composition, often reflecting the author's outlook or point of view. Position paper
William Faulkner's short story "A Rose for Emily" (Faulkner was an avid experimenter in using unusual points of view; see also his Spotted Horses, told in third-person plural). Frank B. Gilbreth and Ernestine Gilbreth Carey's memoir Cheaper by the Dozen. Theodore Sturgeon's short story "Crate". Frederik Pohl's Man Plus.
In Shakespeare's play Macbeth, he uses a variety of narrative elements to create many different motifs. Imagistic references to blood and water are continually repeated. The phrase "fair is foul, and foul is fair" is echoed at many points in the play, a combination that mixes the concepts of good and evil.
Many cultures use storytelling as a way to record histories, myths, and values. These stories can be seen as living entities of narrative among cultural communities, as they carry the shared experience and history of the culture within them. Stories are often used within indigenous cultures in order to share knowledge to the younger generation ...
[2] [3] In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. [1] The term plot can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of ...
when quoting "Short Story Writing 1898, Charles Raymond Barrett, p 171" but further expounds here as, "rise of interest and in power to its highest point." He argues the highest point is always along emotional lines on page 187 stating, "The big thing--at once the basic and the climacteric thing--in the short story is human interest, and there ...