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"Three Wheels on My Wagon" is a song with lyrics by Bob Hilliard and music by Burt Bacharach. [1] [2] It was written in 1961, when it was released as a single by Dick Van Dyke on the Jamie Records label. This was Bacharach's first credited production. [2]
Six Wheels on My Wagon is the second album by British electronic music group Fluke, released on 7 October 1993. The title parodies that of the song " Three Wheels on My Wagon ", from the early 1960s. The most prominent track on the album, "Slid" is featured in the 1993 Phillip Noyce film Sliver as well as being a club favourite of popular DJ ...
Burt Freeman Bacharach (/ ˈ b æ k ər æ k / BAK-ə-rak; May 12, 1928 – February 8, 2023) was an American composer, songwriter, record producer, and pianist who is widely regarded as one of the most important and influential figures of 20th-century popular music.
Three Chords and the Truth may refer to: "Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted ...
Three Chords and the Truth is the debut studio album by American country music artist Sara Evans. The album's title comes from Harlan Howard, a country music songwriter to whom this quote is widely attributed. It also was an improvized lyric in U2's version of the Bob Dylan song "All Along the Watchtower," released on the Rattle and Hum album.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic , subdominant , and dominant ( scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.
All four tracks are present from the 1990 session, and just three of the four tracks from the 1991 session are present. [3] Fluke were invited to perform two further, unreleased, Peel Sessions after this CD. One broadcast on the 10 November 1996 [4] (recording date unknown) and the other performed live on the 8 December 2002. [5]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.