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Watson debuted his Beef Trust act – "a chorus of thirty of the largest women ever seen on stage" – May 17, 1909, at the Bijou Theatre, Philadelphia, as an addition to his popular three-act vaudeville skit, Krausemeyer's Alley [3] – a comedy that he had been producing, in various renditions, since 1903, when he introduced it with another of his popular skits, Life in Japan.
In 1886, he obtained a lease on the Bijou Theatre in Boston. [2] He quickly expanded his theater business, acquiring the Providence Museum in 1887 ( Providence, Rhode Island ), Low's Opera House (Providence) in 1888, the Bijou ( Philadelphia ) in 1888, and Union Square Theatre ( New York City ) in 1893. [ 3 ]
He quickly expanded his theater business, acquiring the Providence Museum in 1887 (Providence, Rhode Island), Low's Opera House (Providence) in 1888, the Bijou (Philadelphia) in 1888, and Union Square Theatre (New York City) in 1893. [6] In 1894, he opened Keith's Theatre in Boston. [7] In 1900, he purchased the Princess Theatre in London. [7]
Bijou Theater at 423 4th Avenue North in Nashville on the site of the former Adelphi/Grand Opera House. The Bijou Company's flagship theater it hosted live performance and films. Razed in 1957 for construction of the Municipal Auditorium [13] Lincoln Theatre in Charleston, South Carolina. Operated from 1919 to 1971.
When the Cat's Away (later retitled The Gay Mr. Lightfoot), [16] a farce in three acts by Louis De Lange and Lee Arthur, [24] premiered September 1, 1896, Bijou Theatre [16] Pousse Cafe, Or The Worst Born , a burlesque , libretto by Edgar Smith and Louis de Lange, music by John Stromberg [ 25 ] premiered December 2, 1897, Imperial Music Hall [ 17 ]
The Bijou Theatre building, which includes 15 one-bedroom apartments and three retail spaces, is now fully renovated and occupied. The apartments provide housing for elderly veterans and others ...
Sylvia Gerrish (born Lillian M. Rollins; May 1860 – December 8, 1906) was an American musical theatre performer who found success in New York and London in the 1880s and early 1890s.
In 1916-1917 she toured in May Robson's theatre company in the comic role of Florence in Maurice Hennequin's The Making Over of Mrs. Matt. [80] [81] In 1919 she performed in the show Creole Fashion Plate in several vaudeville theaters owned by B.F. Keith; including Keith's Theatre in Boston [82] and the B. F. Keith Theatre in Philadelphia. [83]
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