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Call: "Shave and a Haircut", Response: "Two bits". Play ⓘ. In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response.
B. Lee Cooper and Wayne S. Haney, Response Recordings: An Answer Song Discography, 1950-1990, Scarecrow Press, 1990, ISBN 978-0810823426 (A comprehensive alphabetized list of over 2500 hit tunes that prompted the production of answer songs or other forms of response recordings) Answer Songs, Spotify playlist of some of the answer songs on this page
Many work songs sung on plantations by enslaved men and women also incorporate the call and response format. African-American women work songs incorporate the call and response format, a format that fosters dialogue. In contemporary African-American worship services, where call and response is pervasive, a pastor will call out to his ...
An early description is from 1853 and the first recordings are from the 1930s. The holler is closely related to the call and response of work songs and arhoolies. The Afro-American music form ultimately influenced strands of African American music, such as the blues and thereby rhythm and blues, as well as negro spirituals. [2]
This call-and-response performance style is the most common form of spiritual. [ 13 ] The simple, repetitive nature of the song, along with the fact that it was commonly performed without instrumental accompaniment, meant that spontaneous shifts in tempo, pitch, and emphasis were commonly made, leading the song in new and exciting directions ...
A military cadence or cadence call is a call-and-response work song sung by military personnel while running or marching. They are counterparts of the military march . Military cadences often take their rhythms from the work being done, much like the sea shanty .
"Day-O (The Banana Boat Song)" is a traditional Jamaican folk song. The song has mento influences, but it is commonly classified as an example of the better known calypso music. It is a call and response work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has ...
The song was written by Steven Page and his longtime collaborator, Stephen Duffy. All of the vocals in the song are performed by Page; this includes overlapping vocals, harmonies and octaves, and a call-and-response chorus. This, in addition to a long ad-lib outro makes the song a showcase of Page's vocal abilities.