Search results
Results from the WOW.Com Content Network
People who exhibit a combination of both masculine and feminine characteristics are considered androgynous, and feminist philosophers have argued that gender ambiguity may blur gender classification. [34] [35] Modern conceptualizations of femininity also rely not just upon social constructions, but upon the individualized choices made by women ...
The Three Obediences and Four Virtues (Chinese: 三 從 四 德; pinyin: Sāncóng Sìdé; Vietnamese: Tam tòng, tứ đức) is a set of moral principles and social code of behavior for maiden and married women in East Asian Confucianism, especially in ancient and imperial China. Women were to obey their fathers, husbands, and sons, and to be ...
Some Diné people recognize four general places on the gender spectrum: feminine woman, masculine woman, feminine man, and masculine man. [2] Nádleehi may express their gender differently from day to day, or during different periods over their lifetimes, fulfilling roles in community and ceremony traditionally held by either women or men.
The woman question was raised in many different social areas. For example, in the second half of the 19th century, in the context of religion, extensive discussion within the United States took place on the participation of women in church. In the Methodist Episcopal Church, the woman question was the most pressing issue in the 1896 conference ...
Feminist history refers to the re-reading and re-interpretation of history from a feminist perspective. It is not the same as the history of feminism, which outlines the origins and evolution of the feminist movement. It also differs from women's history, which focuses on the role of women in historical events. The goal of feminist history is ...
The range of subjects covered by women's historians also increased substantially; in 1980 the question of women's status was the most important topic to historians of Athenian women, [3] but by 2000 scholars were also working on "gender, the body, sexuality, masculinity and other topics".
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. [4]