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Upload file; Special pages; Search. Search. ... Download as PDF; Printable version ... This category is a collection and list of breakdance moves. Pages in category ...
The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The breaker stays low ...
This move allows the dancer to stay low and in contact with the ground, which places him in an optimal position for performing other dance moves. This move is launched from the third step of the basic 6-step and involves the dancer hopping with a crouched leg over the other straightened leg while simultaneously rotating the dancer's body over ...
The leg position and motion is seen in several other power moves, which makes the windmill an essential power move to learn first. The basic windmill can either be "stabbed" or "unstabbed". The stab position helps to keep the hips up high which aids in momentum and execution of the move, [1] especially during the first rotation. Unfortunately ...
The stab is a breakdance technique necessary to perform many downrock and power moves. It is not a distinct move, but is incorporated into many breakdance moves including the turtle, cricket, jackhammer, crab-walk, hand glide, some versions of the windmill, [1] and many other floats and freezes. It allows the breakdancer's entire weight to be ...
Drops are breakdancing techniques that allow b-boys to transition down to the floor and begin performing downrock. [1] Drops may be designed to look flashy, painful, or both. A wide variety of other movements can serve the same purpose, and others such as the kip-up can work in reverse, moving the breaker up from the floor.
First position: This is the main ballet position, and for most beginners, it is the basic position to start from. In this standing position, the dancer’s feet remain connected at the heels, with the toes turned out at a 90-degree angle, or greater. In this position, the entire sole of the dancer’s foot and toes are in contact with the floor.
The float or turtle is a b-boying move in which breakdancers turn on their hands with their body horizontal to the floor. [1] Its origins are from basic gymnastics. Though it appears to demand great strength, the float actually requires balance above all because the breaker's weight is supported on the elbows which are firmly planted (" stabbed ...