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"Not surprisingly, his [Pajeot's] style of work strongly influenced his contemporaries, and his ideas can be glimpsed in the later works of Nicolas Harmand, Jean Adam (bow maker) (Dominique GrandAdam) and his son Jean, Charles Guinot, Joseph Gaudé, Georges Ury, and Nicolas Mauchard, this last almost certainly a pupil or employee for many years."
Bernard Millant inspecting a bow at the Le Canu Millant shop in Paris, France. Bernard Millant (1929 – 5 April 2017) was a bow maker, archetier and luthier in Paris, France. He was the son of Max Millant. He studied violin-making at Amédée Dieudonné's workshop in Mirecourt. He also studied bow-making with Louis Morizot alongside the ...
"His bows are exquisite, showing mastery in technical as well as stylistic aspects. His son, Heinrich Richard gen. Knopf (1860–1939) (known as Henry) became an excellent bow & violin maker who established what was to become a very important and successful shop in New York City (from 1879–1931)."
Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...
A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
Each supplied bows in his own characteristic style, making possible their identification. In addition, lesser makers worked for Pajeot and are not identifiable. Pajeot made both round and octagonal bows; the former are more often seen. The pernambuco wood is often of superb quality, frequently of a veined, dark rich colour.
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