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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1] Koto are roughly 180 centimetres (71 in) in ...
The 17-string koto (Japanese: 十七絃 or 十七弦, Hepburn: jūshichi-gen, "seventeen strings") is a variant of the koto with 17 strings instead of the typical 13. The instrument is also known as jūshichi-gensō (十七絃箏), "17 stringed koto ", or "bass koto " (although koto with a greater number of strings also exist). The jūshichi ...
The piano was a symbol of social status, and the ability to play the piano stood as a testament to a woman's marriageability. [5] Emma Wedgwood Darwin. Women who had learned to play as children often continued to play as adults, thus providing music in their households. [6] For instance, Emma Wedgwood (1808–1896), the granddaughter of the ...
Itinerant women performers did still exist in medieval Japan, though they are most frequently shown playing the tsuzumi drum. [32] In the Edo period, singers called goze often accompanied themselves on the shamisen or koto, the latter of which was played by "affluent blind women who taught it to the wives of samurai and merchants". [31]
Women playing the Shamisen, Tsuzumi, and Taiko in Meiji-era Japan. Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.
1958 (age 65–66) Washington, D.C., U.S. Education. San Francisco State University, Mills College. Known for. Sound art, musical composition. Masaoka performing in 2016. Miya Masaoka (born 1958, Washington, D.C.) [1] is an American composer, musician, and sound artist active in the field of contemporary classical music and experimental music.
Before the 1980s, it was uncommon for Japanese women to perform on traditional instruments, including taiko, as their participation had been systematically restricted; an exception was the San Francisco Taiko Dojo under the guidance of Grandmaster Seiichi Tanaka, who was the first to admit women to the art form. [213]
koto. The 80-string koto, known as the hachijugen (八十絃/はちじゅうげん) in Japanese, was an invention of Japanese composer Michio Miyagi created in 1923. Miyagi added 67 strings to the traditional 13-string koto design, creating an instrument much like a western harp. Together, the 80 strings provide a far larger pitch range than ...
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