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Timeline of jazz education (a chronology of jazz pedagogy): The initial jazz education movement in North American was much an outgrowth of the music education movement that had been in full swing since the 1920s. Chuck Suber (né Charles Harry Suber; 1921–2015), former editor of Down Beat, [1] averred that the GI Bill following World War II ...
Jazz education. Each style and era of jazz adopted new techniques to help educate younger musicians. Early forms of jazz education were more informal. Since the first degree program was founded in 1947, the rise of institutionalized jazz education, resulted in jazz education becoming more formalized and more structured. [1]
William Franklin Lee III, aka Bill Lee (February 20, 1929-October 23, 2011) [1] was an American jazz pianist, composer, arranger, author, and music educator who was renowned for pioneering comprehensive music education, including jazz, at the collegiate level. He led the University of Miami School of Music and was the University of Miami 's ...
Jazz Age. The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in ...
Occupation (s) Dancer, choreographer, teacher. Eugene Louis Faccuito (March 20, 1925 – April 7, 2015), known professionally as Luigi, was an American jazz dancer, choreographer, teacher, and innovator who created the jazz exercise technique. The Luigi Warm Up Technique is a training program that promotes body alignment, balance, core strength ...
e. International Association for Jazz Education (IAJE), formerly a not-for-profit corporation based in Manhattan, Kansas, was a volunteer-run organization that, among other things, allocated student scholarships through its approved festivals program. Its annual conference was a gathering point for professional artists as well as jazz enthusiasts.
For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz is a reminder of "an oppressive and racist society and restrictions on their artistic visions". [26] Amiri Baraka argues that there is a "white jazz" genre that expresses whiteness. [27]
Hughes wrote many books that celebrated jazz and recognized Armstrong as one of the leaders of the Harlem Renaissance's newfound love of African-American culture. [58] The sound of jazz, along with musicians such as Armstrong, helped shape Hughes as a writer. Just like the musicians, Hughes wrote his words with jazz. [59]