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Color symbolism in art, literature, and anthropology refers to the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [1] and even within the same culture in different time periods. [2] The same color may have very different associations within ...
Elements of art are stylistic features that are included within an art piece to help the artist communicate. [1] The seven most common elements include line, shape, texture, form, space, color and value, with the additions of mark making, and materiality. [1][2] When analyzing these intentionally utilized elements, the viewer is guided towards ...
Color theory, or more specifically traditional color theory, is the historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as Color science. While there is no clear distinction in scope ...
Theosophy and visual arts. Modern Theosophy has had considerable influence on the work of visual artists, particularly painters. [3][4][5] Artists such as Wassily Kandinsky, Piet Mondrian, and Luigi Russolo chose Theosophy as the main ideological and philosophical basis of their work. [6][note 2]
Color (American English) or colour (British and Commonwealth English) is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, color perception is related to an object's light absorption, reflection, emission spectra, and interference. For most humans, colors are perceived in the ...
Local color (visual art) In painting, local color is the color of an object when seen under flat white light with no adjustment for form shadow or colors of light or secondary light sources. An example would be the assumption that an apple is "red" when it is actually dependent on the color of the light hitting it, color of objects around it ...
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used.
The concept of a color system with a hue was explored as early as 1830 with Philipp Otto Runge's color sphere. The Munsell color system from the 1930s was a great step forward, as it was realized that perceptual uniformity means the color space can no longer be a sphere. As a convention, the hue for red is set to 0° for most color spaces with ...