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The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as "taxidermy". [ 1 ] The word taxidermy is derived from the Ancient Greek words τάξις taxis (order, arrangement) and δέρμα derma (skin). [ 2 ]
Muskrat skeleton Muskrat skull An adult muskrat is about 40–70 cm (16–28 in) long, half of that length being the tail, and weighs 0.6–2 kg ( 1 + 1 ⁄ 4 – 4 + 1 ⁄ 2 lb). [ 13 ] That is about four times the weight of the brown rat ( Rattus norvegicus ), though an adult muskrat is only slightly longer.
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
Skull mounts are sometimes referred to as European mounts, western skull mounts, or western mounts. [1] They are a large portion of taxidermy work. Only the skull of the animal is displayed, which will have horns, antlers, or nothing attached to the skull depending on the animal. The mount does not take up much room because of the lack of neck ...
The cricetids are small mammals, ranging from just 5–8 cm (2.0–3.1 in) in length and 7 g (0.25 oz) in weight in the New World pygmy mouse up to 41–62 cm (16–24 in) and 1.1 kg (2.4 lb) in the muskrat. The length of their tails varies greatly in relation to their bodies, and they may be either furred or sparsely haired.
Carl Ethan Akeley (May 19, 1864 – November 17, 1926) was a pioneering American taxidermist, sculptor, biologist, conservationist, inventor, and nature photographer, noted for his contributions to American museums, most notably to the Milwaukee Public Museum, Field Museum of Natural History and the American Museum of Natural History.
A tzompantli, illustrated in the 16th-century Aztec manuscript, the Durán Codex. A tzompantli (Nahuatl pronunciation: [t͡somˈpant͡ɬi]) or skull rack was a type of wooden rack or palisade documented in several Mesoamerican civilizations, which was used for the public display of human skulls, typically those of war captives or other sacrificial victims.
The company specialised in and was renowned for its taxidermy work on birds and big-game trophies, but it did other types of work as well. In creating many practical items from antlers, feathers, feet, skins, and tusks, the Rowland Ward company made fashionable items (sometimes known as Wardian furniture ) from animal parts, such as zebra-hoof ...
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