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Participants left to right: Ba Maw, Zhang Jinghui, Wang Jingwei, Hideki Tojo, Wan Waithayakon, José P. Laurel, and Subhas Chandra Bose Fragment of a Japanese propaganda booklet published by the Tokyo Conference (1943), depicting scenes of situations in Greater East Asia, from the top, left to right: the Japanese occupation of Malaya, Thailand ...
Because no documentary material existed of the storming of the palace, Eistenstein's re-creation of the event has become the source material for historians and filmmakers, giving it further legitimacy as the accepted historical record, which illustrates its success as a propaganda film. [104] Between the Great Wars American films celebrated the ...
The Greater East Asia Conference (大東亞會議, Dai Tōa Kaigi) was an international summit held in Tokyo from 5 to 6 November 1943, in which the Empire of Japan hosted leading politicians of various component parts of the Greater East Asia Co-Prosperity Sphere.
Letter from the Procurator-General decreed that "all hooliganism" having contra-revolutionary or chauvinistic motives was classified as a political crime (58-10 "Anti-Soviet propaganda" or 59-7 "Propaganda of National Hatred"). July 14 Opening of the Moscow Canal, built by GULAG inmates. Before the opening of the canal, 218 prisoners were ...
The Long March (Chinese: 长征; pinyin: Chángzhēng; lit. 'Long Expedition') was a military retreat by the Chinese Red Army and Chinese Communist Party (CCP) from advancing Kuomintang forces during the Chinese Civil War, occurring between October 1934 and October 1935.
The Taisei Yokusankai movement has already turned on the switch for rebuilding a new Japan and completing a new Great East Asian order which, writ large, is the construction of a new world order.
Propaganda was a key component of the culture of World War I. It was often shown through state-controlled media, and helped to bolster nationalism and patriotism within countries. On the Eastern Front, propaganda took many forms such as opera, film, spy fiction, theater, spectacle, war novels and graphic art.
The propaganda posters offered no scientific explanation for why the campaign was necessary. Instead, they featured dramatic depictions of children heroically exterminating the pests, and hence playing their role in the Great Leap Forward. The propaganda served to frame the campaign as more than an effort to improve hygiene.