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A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. [1] Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts.
Mini-prélude en éventail (1987) scored for Les Citations (instrumentation: oboe, harpsichord, percussion, double bass) by Kenneth Hesketh (2016, unpublished) Sonate pour hautbois for oboe and orchestra (2019 – orchestrated by Kenneth Hesketh, published by Leduc)
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
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Concerto pour hautbois et orchestre ou piano, lettre C, ibid. Duo pour deux hautbois et orchestre ou piano , ibid. Mélodie anglaise variée, pour le hautbois et l’orchestre ou le piano, ibid. Quatrième concertino pour hautbois, Paris, Costallat; Adagio religioso, trio pour deux hautbois et cor anglais, Paris, Richault
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
The Trio pour hautbois, basson et piano (Trio for oboe, bassoon and piano), FP 43, by Francis Poulenc is a three-movement chamber work, composed between 1924 and 1926, and premiered in the latter year. The trio was well received at its premiere in Paris, with the composer at the piano. It has been performed and recorded frequently since.
He began playing the oboe and musette (a bagpipe-like instrument commonly used in French baroque music) in the Paris Opera orchestra in the 1720s. After Jean Hotteterre's death in 1732, he took over his post in Les Grands Hautbois, the royal oboe band. He retired from the opera in July 1748, though returned occasionally to play the musette there.