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Antonín Dvořák composed his String Quartet No. 11 in C major, Op. 61, B. 121, between late October and early November 1881 to fulfill a commission from the Hellmesberger Quartet. [ 1 ] Background
sacred cantata after the Latin hymn attributed to Nicetas of Remesiana: 177: 102: 1892–93: Americký prapor: The American Flag: contralto, tenor, bass, chorus and orchestra: secular cantata after a poem by Joseph Rodman Drake: 178: 95: 1893: Symfonie č. 9 e moll „Z nového světa“ Symphony No. 9 in E minor "From the New World" orchestra ...
Dvořák's birthplace in Nelahozeves Antonín Dvořák birth record 1841 (SOA Prague). Dvořák was born in Nelahozeves near Prague, in the Austrian Empire, and was the eldest son of František Dvořák [] (1814–94) and his wife, Anna, née Zdeňková [] (1820–82). [6]
Antonín Dvořák composed over 200 works, most of which have survived. They include nine symphonies, ten operas, four concertos and numerous vocal, chamber and keyboard works.
Prior to the publication of the Slavonic Dances, Op. 46, Dvořák was a relatively unknown composer and was of modest means.Consequently, he had applied for the Austrian State Prize fellowship (German "Stipendium") in order to fund his composing work.
Antonin Dvořák / About the composer stabatmater.info; Dvorák, Antonín / Stabat Mater op. 58 / Klaviersatz von Antonín Dvorák Bärenreiter; Kenneth Woods: Explore the Score- Dvorak Stabat Mater kennethwoods.net 20 December 2015; Tess Crebbin: Dvorak and his Stabat Mater op. 58 — a Choral Masterpiece scena.org 1 April 2004
Page on the 1st setting of King and Charcoal Burner (King and Collier), from the Antonín Dvořák website www.antonin-dvorak.cz; Page on the 2nd setting of King and Charcoal Burner (King and Collier), from the Antonín Dvořák website www.antonin-dvorak.cz; Supraphon page on CD SU 3078-2, recording of Král a uhlíř
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...