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In Buddhism, the wish fulfilling jewel (Skt. maṇi, cintā-maṇi, cintāmaṇi-ratna) is an important mythic symbol indicating a magical jewel that manifests one's wishes, including the curing of disease, purification of water, granting clothing, food, treasure etc. It is a common symbol for the teachings and qualities of the Buddha.
Most of the Buddha's miracles are seen in Buddhism as being the result of extraordinary psychic abilities gained through advanced meditation, rather than miraculous powers. [1] According to Buddhist texts many of the Buddha's disciples, as well as some non-Buddhist hermits and yogis who attained high meditative states , also had some of these ...
Buddhist mythology contains legends of the Buddhas of past ages, such as Vipassi. An important source for these is the Pali Theravāda Buddhavamsa (Buddha Chronicle) which chronicles the stories of 24 past Buddhas. [37] Buddhist works also include a wide range of prophetic myths, which speak of future events.
Ruyi (As Desired or As [You] Wish), a curved decorative object that serves as a ceremonial sceptre in Chinese Buddhism or a talisman symbolizing power and good fortune in Chinese folklore. (Chinese folklore) Was (Power or Dominion), a scepter associated with the gods as well as with the pharaoh. In later use, it was a symbol of control over the ...
In Buddhism, the vajra (Standard Tibetan: dorje) is the symbol of Vajrayana, one of the three major schools of Buddhism. Vajrayana is translated as "Thunderbolt Way" [17] or "Diamond Way" and can imply the thunderbolt experience of Buddhist enlightenment or bodhi. It also implies indestructibility, [18] just as diamonds are harder than other ...
The Vajrasana in the early 20th century. The Vajrasana, together with the remnants of the ancient temple built by Ashoka, was excavated by archaeologist Alexander Cunningham (1814-1893), who published his discovery and related research of the Mahabodhi Temple in his 1892 book Mahâbodhi, or the great Buddhist temple under the Bodhi tree at Buddha-Gaya.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Mani stones are stone plates, rocks, or pebbles inscribed with the six-syllabled mantra of Avalokiteshvara [1] (Om mani padme hum, hence the name mani stone) as a form of prayer in Tibetan Buddhism. The term mani stone may also be used to refer to stones on which any mantra or devotional designs (such as ashtamangala ) are inscribed or painted.