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An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
Ode–Several stanzaic forms that are more complex than that of the lyric. It is embedded with intricate rhyme schemes and an irregular number of lines of considerable length. Written with a rich and intense expression, an ode is structured to deliver an elevated thought to praise a person or object. “Ode to a Nightingale” is an example.
Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
In Latin poetry the epode was cultivated, in conscious archaism, both as a part of the ode and as an independent branch of poetry. Of the former class, the epithalamia of Catullus , founded on an imitation of Pindar , present us with examples of strophe, antistrophe and epode; and it has been observed that the celebrated ode 1.12 of Horace ...
The four poems preceding these (2.2–2.5) and four poems following them (2.8–2.11) also show symmetry: for example, in both 2.3 and 2.10 Horace recommends living by the "golden mean"; in 2.5 and 2.8 he describes two courtesans, one as yet inexperienced, the other experienced; and so on.
The villanelle is an example of a fixed versed form. Tanka – a classical Japanese poem, composed in Japanese (rather than Chinese, as with kanshi) Ode – a poem written in praise of a person (e.g. Psyche), thing (e.g. a Grecian urn), or event; Ghazal – an Arabic poetic form with rhyming couplets and a refrain, each line in the same meter
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]
For example, Nasir Khusraw used it extensively for philosophical, theological, and ethical purposes, while Avicenna also used it to express philosophical ideas. It may be a spring poem (Persian بهاریه, bahâriye) or autumn poem (Persian خزانیه, xazâniye). The opening is usually description of a natural event: the seasons, a natural ...