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Physiognomy of the melancholic temperament (drawing by Thomas Holloway, c.1789, made for Johann Kaspar Lavater's Essays on Physiognomy). Melancholia or melancholy (from Greek: µέλαινα χολή melaina chole, [1] meaning black bile) [2] is a concept found throughout ancient, medieval, and premodern medicine in Europe that describes a condition characterized by markedly depressed mood ...
Melancholia is a 1532 oil painting by the German artist Lucas Cranach the Elder.It is now in the Unterlinden Museum in Colmar, France.Its inventory number is 83.5.1. [2]This vertical painting belongs to a series of four works inspired by Albrecht Dürer's seminal 1514 engraving Melencolia I. [2]
Melancholy may refer to: Melancholia , one of the four temperaments in pre-modern medicine and proto-psychology, representing a state of low mood Depression (mood) , a state of low mood, also known as melancholy
Melancholia and melancholy had been used interchangeably until the 19th century, but the former came to refer to a pathological condition and the latter to a temperament. [3] The term depression was derived from the Latin verb deprimere, "to press down". [12] From the 14th century, "to depress" meant to subjugate or to bring down in spirits.
A preparatory sketch for the engraving; see also this sketch.. Melencolia I has been the subject of more scholarship than probably any other print. As the art historian Campbell Dodgson wrote in 1926, "The literature on Melancholia is more extensive than that on any other engraving by Dürer: that statement would probably remain true if the last two words were omitted."
The Anatomy of Melancholy. Oxford: Oxford University Press. (6 vols.) — First three volumes are the Anatomy 's text, next three are a chapter-by-chapter commentary by Bamborough and Dodsworth. Gowland, Angus (2006). The Worlds of Renaissance Melancholy: Robert Burton in Context. Cambridge, UK: Cambridge University Press. ISBN 978-0-521-86768-9.
The lines "with his ebony hands on each ivory key. He made that poor piano moan with melody" continues the reference to color, and decidedly differentiates black from white. Hughes personifies the piano with a humanly moan, but the moan also indicates his abuse of the "ivory key" and the "melancholy tone" of the music.
William Blake's Melancholy, an illustration to Milton's "Il Penseroso", c. 1816–1820. Personification is implemented with words such as 'Joy', 'Beauty', 'Delight', and 'Pleasure' allowing the poet to create characters out of ideals and emotions as he describes his thoughts and reactions to feelings of melancholy. The difference between the ...