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The Magnificat by John Rutter is a musical setting of the biblical canticle Magnificat, completed in 1990.The extended composition in seven movements "for soprano or mezzo-soprano solo, mixed choir, and orchestra (or chamber ensemble)" [1] is based on the Latin text, interspersed with "Of a Rose, a lovely Rose", an anonymous English poem on Marian themes, the beginning of the Sanctus and a ...
Sing ye to our Lord; I have been young; In crystal towers; for 4 voices: This sweet and merry month of May; Let not the sluggish sleep; A feigned friend; Awake mine eyes; Come jolly swains; What is life or worldly pleasure? [Instrumental] Fantazia; Come let us rejoice unto our Lord; for 5 voices: Retire my soul; Arise Lord into thy rest; Come ...
The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology. The following table shows the title, voices, tempo marking, time , key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
Rutter's compositions are chiefly choral, and include Christmas carols, anthems and extended works such as the Gloria, the Requiem and the Magnificat.. The world premiere of Rutter's Requiem (1985), and of his authoritative edition of Fauré's Requiem, took place with the Fox Valley Festival Chorus, in Illinois.
Evensong was initially sung entirely to plainsong.Musicians gradually created polyphonic settings of its music, especially of the Magnificat. [6]The first musical setting of the Book of Common Prayer, by John Marbeck, provided a simplified version of traditional chant settings. [7]
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, [1] by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements , scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets ...
The individual psalms and the Magnificat are concluded by the doxology Gloria Patri. The hymn for Marian feasts was "Ave maris stella". Variable elements, changing with the liturgical occasion, are antiphons, inserted before each psalm and the Magnificat, which reflect the specific feast and connect the Old Testament psalms to Christian ...