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Fashion in the 1890s in Western countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing. [1]
Overview of fashion from The New Student's Reference Work, 1914. Summary of women's fashion silhouet changes, 1794–1887. The following is a chronological list of articles covering the history of Western fashion—the story of the changing fashions in clothing in countries under influence of the Western world—from the 5th century to the present.
Towards the end of Victoria's reign, dresses were flared naturally as crinolines were rejected by middle-class women. Designers such as Charles Frederick Worth were also against them. All these inventions and changes in fashion led to women's liberation as tailored looks improved posture and were more practical. [24]
One specific piece of clothing was the sporting pantaloon or the women's bloomer; [4] originally worn in America in the 1850s as a women's suffrage statement by Amelia Bloomer, it turned into the ideal costume for women riding bicycles - an activity that was considered acceptable for women to participate in during the late 19th century. This ...
A timeline of United States inventions (1890–1945) encompasses the innovative advancements of the United States within a historical context, dating from the Progressive Era to the end of World War II, which have been achieved by inventors who are either native-born or naturalized citizens of the United States.
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Their session on women's dress opened with Lucy Stone reminiscing about the bloomer movement of the 1850s; her extolling the bloomer as the "cleanest, neatest, most comfortable and most sensible garment" she had ever worn; and young women modeling different versions of the dress. [34] The following year Annie "Londonderry" Cohen Kopchovsky ...
Aesthetic dress of the 1880s and 1890s carries on many of the external characteristics of Artistic dress (rejection of tightlacing in favour of simplicity of line and emphasis on beautiful fabrics), even though, at its core, Aestheticism rejected the moral and social goals of the Victorian dress reform that was its precursor.
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