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  2. Room modes - Wikipedia

    en.wikipedia.org/wiki/Room_modes

    Room modes are the collection of resonances that exist in a room when the room is excited by an acoustic source such as a loudspeaker. Most rooms have their fundamental resonances in the 20 Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof. These resonances affect the low-frequency ...

  3. Room acoustics - Wikipedia

    en.wikipedia.org/wiki/Room_acoustics

    Tangential modes are two-dimensional, and involve four walls bounding the space perpendicular to each other. Finally, oblique modes concern all walls within the simplified rectilinear room. [5] A modal density analysis method using concepts from psychoacoustics, the "Bonello criterion", analyzes the first 48 room modes and plots the number of ...

  4. Acoustic resonance - Wikipedia

    en.wikipedia.org/wiki/Acoustic_resonance

    Experiment using two tuning forks oscillating at the same frequency.One of the forks is being hit with a rubberized mallet. Although the first tuning fork hasn't been hit, the other fork is visibly excited due to the oscillation caused by the periodic change in the pressure and density of the air by hitting the other fork, creating an acoustic resonance between the forks.

  5. Bass trap - Wikipedia

    en.wikipedia.org/wiki/Bass_trap

    Bass traps are typically used to attenuate modal resonances and so exact placement depends on which room mode one is trying to target. Bass traps typically combine structural mechanisms that can work at both positions of high particle velocity/low pressure (thick fiberglass) and high pressure/low particle velocity (membranes).

  6. Loudspeaker measurement - Wikipedia

    en.wikipedia.org/wiki/Loudspeaker_measurement

    Driving both speakers is recommended, as this stimulates low-frequency room 'modes' in a representative fashion. This means the microphone must be positioned precisely equidistant from the two speakers if 'comb-filter' effects (alternate peaks and dips in the measured room response at that point) are to be avoided.

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  8. Dipole speaker - Wikipedia

    en.wikipedia.org/wiki/Dipole_speaker

    This can be useful in reducing the stimulation of resonant room modes at low frequencies. It also results in high frequencies being reflected from any rear wall, which can enhance the naturalness of the sound in typical listening rooms by creating more diffuse reverberation , though in theory it could detract from stereo localization.

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