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Jesús Franco (1930–2013) was a Spanish filmmaker. At a young age, Franco had a passion for comics and music, and followed his love of music, specifically jazz. [1] After his father found out about him working as a jazz musician, he enroled him a religious university in 1949.
Jesús Franco Manera (12 May 1930 – 2 April 2013), also commonly known as Jess Franco, was a Spanish filmmaker, composer, and actor, known as a highly prolific director of low-budget exploitation and B-movies. [1]
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Franco appears as a servant to Professor Van Helsing (Herbert Lom), and though certainly literate, the film nevertheless fails as both horror and drama." [14] Brett Cullum of DVD Verdict wrote, "For curious Dracula fans, Jess Franco's Count Dracula is a neat find. It's a stellar cast working under a low budget, and it comes off entertaining if ...
Marquis de Sade: Justine (Italian: Justine ovvero le disavventure della virtù, lit. 'Justine or the misadventures of virtue', also released as Deadly Sanctuary) [1] is a 1969 erotic period drama film directed by Jesús Franco, written and produced by Harry Alan Towers, and based on the 1791 novel Justine by the Marquis de Sade.
The Awful Dr. Orloff was the first horror film directed by cult filmmaker Franco, and the first of many subsequent collaborations with Howard Vernon. Franco would reuse the Orloff and Morpho characters in many of his later horror films, such as Vampyros Lesbos, Revenge in the House of Usher, and Faceless.
Franco repurposed music from these albums as the soundtracks for three of his films: Vampyros Lesbos, She Killed in Ecstasy and The Devil Came from Akasava. The 1995 compilation was released during a period where there was a resurgence of interest in space age pop music, a style focused on easy listening music from the 1950s and 1960s. [17]
The director, Jesus Franco, a specialist of porn and horror films, seems to have directed with his eyes closed." [1] In French film magazine Mad Movies, critic Marc Toullec found the script resembled a soap opera and that the film paled in comparison to its inspiration Eyes Without a Face (1960).
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