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Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists. Such a pattern may occur in nature and these effects are frequently emulated by artists.
Giulio Campagnola, The Astrologer, c. 1509, with areas such as the dark foreground, the man's bald head, and the tree trunks created by a burin stippling technique. An example of the mastery of coloured stipple engraving by Francesco Bartolozzi (1727–1815) Cupid Binding Aglaia to a Laurel, detail, after Angelica Kauffmann (1741–1807)
Stippling used to be thought to indicate health, but it has since been shown that smooth gingiva is not an indication of disease, unless it is smooth due to a loss of previously existing stippling. Stippling is a consequence of the microscopic elevations and depressions of the surface of the gingival tissue due to the connective tissue ...
Basophilic stippling, also known as punctate basophilia, is the presence of numerous basophilic granules that are dispersed through the cytoplasm of erythrocytes in a peripheral blood smear. They can be demonstrated to be RNA .
The stippling technique involved the etching, usually on a copper plate, of stipple dots to form an image. The process was tedious; many thousands of these dots were required to form an image of this quality.
stippling; still life; T. Tarashikomi; Texture (painting) Transfer technique (drawing) Trompe-l'œil technique; Verdaille example A Chinoiserie Procession of Figures ...
The single needle tool is used for stippling. Stippling is a technique used for generating a matte white surface to areas or for fine detail work such as the centers of flowers. To create a matte white surface the parchment is first lightly embossed and then small holes are perforated on the parchment in very close proximity.
The Young Shepherd, engraving using stipple technique. Giulio Campagnola (Italian: [ˈdʒuːljo kampaɲˈɲɔːla]; c. 1482 – c. 1515) was an Italian engraver and painter, whose few, rare, [1] prints translated the rich Venetian Renaissance style of oil paintings of Giorgione and the early Titian into the medium of engraving; to further his exercises in gradations of tone, he also invented ...