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Studies on auditory imagery can give insight to involuntary intrusive images called earworms. One study used to examine control of auditory imagery experiences is the self report Bucknell Auditory Imagery Scale. [24] A relatable phenomenon in which the lay person has experienced an earworm is when a jingle gets stuck in a person's head.
Specificity of processing describes the increased recall value of a stimulus when presented in the method with which it was inputted. For example, auditory stimuli (spoken words and sounds) have the highest recall value when spoken, and visual stimuli have the highest recall value when a subject is presented with images. [6]
Auditory imagery pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia). Olfactory imagery pertains to odors, aromas, scents, or the sense of smell. Gustatory imagery pertains to flavors or the sense of taste. Tactile imagery pertains to physical textures or the sense of touch.
Auditory imagery in general occurs across participants in the temporal voice area (TVA), which allows top-down imaging manipulations, processing, and storage of audition functions. [36] Olfactory imagery research shows activation in the anterior piriform cortex and the posterior piriform cortex; experts in olfactory imagery have larger gray ...
These structures include the thalamus and the basal ganglia. [2] Some of the above-mentioned areas have been shown to be active in both music and language processing through PET and fMRI studies. These areas include the primary motor cortex, the Brocas area, the cerebellum, and the primary auditory cortices. [2]
auditory (or linguistic) thoughts – sound, speech, dialog, white noise kinesthetic (or proprioceptive ) sense – somatic feelings in the body, temperature, pressure, and also emotion. The other two senses, gustatory (taste) and olfactory (smell), which are closely associated, often seem to be less significant in general mental processing ...
In perception and psychophysics, auditory scene analysis (ASA) is a proposed model for the basis of auditory perception. This is understood as the process by which the human auditory system organizes sound into perceptually meaningful elements. The term was coined by psychologist Albert Bregman. [1]
Simply put, one ear was hearing the full sentence without phoneme excision and the other ear was hearing a sentence with a 's' sound removed. This version of the phonemic restoration effect was particularly strong because the brain was doing much less guess work with the sentence, because the information was given to the observer.