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"Close Enough to Perfect" is a song written by Carl Chambers, and recorded by American country music band Alabama. It was released in August 1982, as the third single from Alabama's album Mountain Music. A pop-styled ballad, "Close Enough to Perfect" was Alabama's eighth No. 1 song in the fall of 1982. [2] Song Backstory
The Alabama Band #3: 1979 "Katy Brought My Guitar Back Today" Mickey Cates John Jarrard: Cheap Seats: 1993 [7] "Keep on Dreamin'" Jeff Cook Rick Scott The Alabama Band #3 My Home's in Alabama: 1979 1980 [16] "Keepin' Up" † Randy Owen Teddy Gentry Greg Fowler Ronnie Rogers: For the Record: 1998 [26] "Lady Down on Love" † Randy Owen Deuces Wild
40-Hour Week is the ninth studio album from American country music band Alabama.Released in January 1985, the album included three songs that topped the Billboard magazine Hot Country Singles chart and continued the band's dominance during the 1980s.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
There are separate chord forms for chords having their root note on the third, fourth, fifth, and sixth strings. [42] Of course, a beginner learns guitar by learning notes and chords, [43] and irregularities make learning the guitar difficult [44] —even more difficult than learning the formation of plural nouns in German, according to Gary ...
"40 Hour Week (For a Livin')" is one of the songs central to a point of contention among country music historians. Alabama is frequently billed as having the longest uninterrupted No. 1 streak in the history of the Billboard magazine Hot Country Songs chart, with 21 songs peaking atop the chart between 1980 and 1987, "40 Hour Week (For a Livin')" being the song that set the new standard."
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To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...
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