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Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
The character of Kuba design accords with Robert Thompson's observation that some African music and art forms are enlivened by off-beat phrasing of accents, by breaking the expected continuum of surface, by staggering and suspending the pattern. [11] In textile design, the Africans of the Kasai-Sankuru region do not project a composition as an ...
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
The patterns used range from geometric tribal motifs to figurative patterns of humans and animals. Clamp resist dyeing is used by the Kuba. Raphia panels are folded to form a cube and then clamped and dip dyed. The clamps are removed after dyeing to reveal the resist pattern in natural raphia against the usually black dyed background.
Other motifs include traditional beliefs, legends, common tools, household items, and plants. [2] In recent times, Akwete weaving patterns have begun to display themes relevant to Nigeria as a whole, utilizing the design and colors of the Nigerian flag, the coat of arms and celebrating the Black Festival of the Arts in Nigeria. [2]
However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual themes. Traditional themes are categorized into geometric, figural, skewmorphic, letters, and celestiomorphic types. [5]
The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. [3] Example messages include adweneasa , which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft -based patterns woven into every available block of plain weave.
Uli designs are characterized by swelling and tapering curves interspersed with angled lines and abstract motifs. [1] These designs are either stained onto the body or painted onto walls, and are temporary in both cases, wearing off in a week on the body and washing off walls during the rainy season. [6]
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