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Below are her mainstream Hindi, Marathi, Tamil, Telugu, Kannada and Malayalam record lists. She has also released thousands of devotional Hindu albums including Gajanana, Aartiyan, Shri Sai Mantra, Shri Ram Mantra and Jai Ambe Maa to name a few. [1] Her 2015 Sai bhajan "Sai Ram Sai Shyam" has found immense popularity among devotees.
Murali gana lola is a popular bhajan sung by Hindus celebrating the God Vishnu's two incarnations Rama and Krishna. This bhajan is often connected with Sai Baba . Here are some of the lyrics and their meanings
Oh, Ahe Nila Saila (O Resident of the Blue Mountains) is a renowned Jagannath Bhajan in Odisha. It was composed by Bhakta Salabega, an Odia religious poet from the early 17th century who wrote devotional songs dedicated to Lord Jagannath.
She is the only playback singer who actively participates and sings devotional and meditation songs for spiritual foundations like Prajapita Brahmakumaris Ishwariya Vishwa Vidyalaya and Satya Saibaba. Her 2015 bhajan Sai Ram Sai Shyam Sai Bhagwan has crossed more than 100 million views on YouTube, [21] [22] and is immensely popular throughout ...
A Bhajan may be sung individually, but more commonly together as a choral event wherein the lyrics include religious or spiritual themes in the local language. [1] [4] Bhajans often describe loving devotion to a deity, legends from the Epics or the Puranas, compositions of Bhakti movement saints, or spiritual themes from Hindu scriptures. [21]
There is a legend related to the composition of this hymn. It is said that Adi Shankara, accompanied by his disciples, was walking along a street in Varanasi one day, when he came across an old aged scholar reciting the rules of Sanskrit grammar of Panini repeatedly on the street.
The Shanti Mantras, or Pancha Shanti mantras, are Hindu prayers for peace found in the Upanishads.Generally, they are recited at the beginning and end of religious rituals and discourses.
The focus of kirtan is on the lyrics or mantras, which deliver religious messages and stories. Guy Beck, writing on the northern kirtan tradition, states that "melody and rhythm are important, but devotional singers normally deplore musical virtuosity for its own sake, in contrast with the classical Hindustani and Karnatak traditions, which ...