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The work was awarded first prize in the Juegos Florales, a national literary contest. The Sonnets of Death were inspired by the suicide of Mistral's former lover, Romelio Ureta, in which she claims for his love, argues jealousy and discusses their reunion after their deaths. However Mistral's relationship with Ureta is a matter of significant ...
The consolatio literary tradition ("consolation" in English) is a broad literary genre encompassing various forms of consolatory speeches, essays, poems, and personal letters. consolatio works are united by their treatment of bereavement, by unique rhetorical structure and topoi, and by their use of universal themes to offer solace. [3]
The Death of the Author" (French: La mort de l'auteur) is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the ...
To be necessary, it must never leave the characters it concerns in the same sentiments they had before, but still produce either love or hatred, etc. Sometimes, the change consists in the discovery, sometimes it follows at a distance, and sometimes results immediately from it; the last was used, for example, in Oedipus Rex .
The death of animals with or without human personalities is a popular way to introduce the topic to younger children. The death of an animal or inanimate object such as a plant made up 2% of the deaths in literature for children ages three to eight written in the 1970s and 1980s. [3]
Characters he placed lower than some of Hazlitt's other critical works; yet he allowed that, aside from such "outbursts" as his railing against the historical King Henry V, [327] and his over-reliance on quotation from Schlegel, Characters of Shakespear's Plays is filled with much that is admirable, notably Hazlitt's comparison of Chaucer's and ...
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The death of the novel is the common name for the theoretical discussion of the declining importance of the novel as literary form. Many 20th century authors entered into the debate, often sharing their ideas in their own fiction and non-fiction writings.