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The unfinished nature of the work reveals Michelangelo's painting technique, completing areas in turn in the manner of a fresco or tempera work, rather than sketching out the whole work and adding details, as for example Raphael or Leonardo would have done. It also shows areas of paint that Michelangelo scratched away, for example the rocks. [5]
This and the Battle of the Centaurs were Michelangelo's first two sculptures. The first reference to the Madonna of the Stairs as a work by Michelangelo was in the 1568 edition of Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects. [1] The sculpture is exhibited at the Casa Buonarroti in Florence, Italy.
The Medici Madonna is a marble sculpture carved by the Italian Renaissance master Michelangelo Buonarroti measuring about 88.98 inches (226 cm) in height. Dating from 1521 to 1534, the sculpture is a piece of the altar decoration of the Sagrestia Nuova in the Basilica of San Lorenzo, Florence. [1]
The Crucifixion of Saint Peter is a fresco painting by the Italian Renaissance master Michelangelo Buonarroti (c. 1546–1550). It is housed in the Cappella Paolina, Vatican Palace, in the Vatican City, Rome. It is the last fresco executed by Michelangelo.
Madonna and Child shares certain similarities with Michelangelo's Pietà, which was completed shortly before – mainly, Mary's flowing robe, and the movement of the drapery. The long, oval face of Mary is also reminiscent of the Pietà. The work is also notable in that it was the first sculpture by Michelangelo to leave Italy during his lifetime.
Buonarroti (Buonarotti) is a surname, and may refer to Michelangelo Buonarroti (1475–1564), the Italian artist known as Michelangelo Filippo Buonarroti (1661–1733), Florentine official and grandnephew of Michelangelo
The Torment of Saint Anthony [2] (or The Temptation of Saint Anthony, c. 1487–88) is a painting by Michelangelo, who painted this close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is by Michelangelo is disputed. [3] This painting is now in the Kimbell Art Museum in Fort Worth, Texas.
The exact date of execution of the statue is unknown, but it is usually related to the project for the tomb of Julius II.It is thought to have been intended for one of the lower niches of one of the last projects for the tomb, perhaps that of 1532 for which the so-called Captives or "Provinces" now in the Galleria dell'Accademia of Florence may have also been made.