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The conservation of taxidermy is the ongoing maintenance and preservation of zoological specimens that have been mounted or stuffed for display and study. Taxidermy specimens contain a variety of organic materials, such as fur, bone, feathers, skin, and wood, as well as inorganic materials, such as burlap, glass, and foam.
A medical student performs an eye examination on a mannequin in Mauritius. Today, medical simulation mannequins, models or related artefacts such as SimMan, [12] the Transparent Anatomical Manikin or Harvey [13] are widely used in medical education. [14] The term manikin refers exclusively to these types of models, though mannequin is often ...
Thermal manikins are primarily used in automotive, indoor environment, outdoor environment, military and clothing research. The first thermal manikins in the 1940s were developed by the US Army and consisted of one whole-body sampling zone. Modern-day manikins can have over 30 individually controlled zones.
Edward Gerrard & Sons was a taxidermy firm founded and run by the Gerrard family from 1853 in Camden, London. [1] The company also made anatomical models and dealt in sale of artefacts. The company was founded by Edward Gerrard, who was an employee of the British Museum's zoological department, as an attendant. [2]
Today, Van Ingen taxidermy mounts are found in private collections [7] and museums throughout the world. Some can be found in auction houses throughout Britain at times finding fetching high prices. Today there is little to no information regarding possibly one of the greatest taxidermy firms in the world, apart from P.A. Morris' studies.
As documented in Frederick H. Hitchcock's 19th-century manual entitled Practical Taxidermy, the earliest known taxidermists were the ancient Egyptians and despite the fact that they never removed skins from animals as a whole, it was the Egyptians who developed one of the world's earliest forms of animal preservation through the use of injections, spices, oils, and other embalming tools. [3]
In 1993, the gallery skinned the shark and stretched its skin over a fiberglass mould, thus transforming the shark from a chemically preserved intact carcass to a taxidermy mount displayed in fluid. Hirst commented, "It didn't look as frightening ... You could tell it wasn't real. It had no weight." [8]
There have been attempts to categorise taxidermy in both artistic and scientific terms for over a century. An 1896 review of Montagu Browne’s Artistic and Scientific Taxidermy and Modelling notes that “Any work which will aid in more clearly defining the difference between the art of taxidermy and the trade of taxidermy is to be welcomed.” [1] Stephen T. Asma suggests that natural ...