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In 2009 Ovitz launched her Kimberly Ovitz Collection from her design studio in Santa Monica, California. [5] Three years later she relocated the company to its new home in Tribeca, New York City. [6] Her initial line consisted of a neutral palette of ‘grungy’ and ‘equestrian’ pieces, and was critically well received. [1]
However, others identify the painting as part of Titian's series of half-length female figures from 1514 to 1515, which also includes the Flora at the Uffizi, the Woman with a Mirror at the Louvre, the Violante and the Young woman in a black dress in Vienna, Vanity in Munich and the Salome at the Galleria Doria Pamphilj.
On the whole, Leyster's painting is similar to self-portraits by other women artists. In depicting herself at her easel with an unfinished painting, holding both a palette and a paintbrush, she creates a self-portrait that recalls Catharina van Hemessen's 1546 self-portrait, as well as a self-portrait by Sofonisba Anguissola that dates to c ...
[15] [16] Her 2011 collection, shown at Belgrade Fashion Week, had a red and white color scheme, defined by asymmetrical lines. [17] In 2013, Belgrade Fashion Week awarded her the Bazart prize. [ 18 ] [ 19 ] In 2014, she participated in a Belgrade show, with other local designers, sponsored by a model scouting agency.
Choose a Glass-Top Island. Find inspiration in the team at L.A. Closet Design and store your beloved jewelry in a glass-top island that sits in your closet, if space allows for it. Not only will ...
The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]